A Book of Tongues, The Broken Kingdoms, Atlantic, Misery
Gemma Files, A Book of Tongues
I grabbed this book after just glancing through it at the public library’s new book shelf, and now I’m buying a copy and preordering the sequel. This is awesome, guys. Supernatural Old West, magic-wielding Confederate ex-Reverends, and a heavy dose of Mayan mythology to top it off. Also, gay characters who are a) main characters, b) not demonized (for being gay, anyway), and c) likely to survive to the end of the series and possibly even get a happy ending. Obviously it’s a trilogy and that last one is far from certain, but I’m thrilled at just the possibility right now.
N.K. Jemisin, The Broken Kingdoms
The sequel to the excellent Hundred Thousand Kingdoms of last year, and you know, I think I liked this one even better. It seems to hang together better; the book feels a little more solid. I’d have to reread the first one to explain exactly why. (Oh the horror! *dramatic hand to forehead*) It seems, interestingly enough, that the main recurring characters in this series are the gods, not the mortals, but the POV characters in both books so far are the mortal women they deal with. I like that a lot, actually.
Simon Winchester, Atlantic
Finally, I have finished this book! This was another ARC I picked up at ALA in June, and I have been trying to get through it for months. It purports to be a history of the Atlantic ocean, but for large portions of the book it seems much more to be an excuse for the author to show off his superior knowledge of history and his extraordinarily exciting life as an investigative journalist. I was somewhat offended to find that the latter sections, while unbelievably pretentious, were also the most interesting parts of the book. Maybe he should have just written a memoir instead.
Stephen King, Misery
When did Stephen King stop being this good? No, really. I picked this up again after reading Learn Writing With Uncle Jim, where Jim MacDonald recommends it as a novel about how to write a book. And not only does it work on that level – spectacularly well, particularly the scene where Annie makes Paul burn his Serious Manuscript – but it’s also frequently tense, disturbing, and downright scary. I haven’t felt that way about any of the newer Stephen King books at all.
Posted on February 11, 2011, in Reviews and tagged book review, fantasy, gemma files, horror, n. k. jemisin, nonfiction, postcolonial fantasy, simon winchester, spec fic, stephen king, writing. Bookmark the permalink. Leave a comment.