Monthly Archives: February 2010

Book of the Month: Steven Brust’s Iorich

I read…way too many books. Far too many for someone in graduate school. Far, far too many to write up detailed reviews for each one. But, since I do read so many books, and since readers advisory is one of those things the Internet was practically made for, I thought I’d institute a Book of the Month feature, where I highlight a book I read in the past month. I can’t promise they’ll all be new, and I can’t promise they’ll all be good, but I can certainly promise I will always have read at least one interesting book in a month.

Steven Brust – Iorich

Steven Brust - Iorich cover
Buy at IndieBound | Look up on WorldCat

This book is both new and good! Excellent, we’re off to a great start. Also, I love science fiction and fantasy in all forms. This will become apparent very soon, if it hasn’t already.

I’ve only been reading Brust’s Dragaera series for a couple of years — the first one I read in hardcover was Jhegaala — but the friend who got me hooked on the series has been reading them since Issola was new. If you’re not familiar with Brust, don’t be put off by the increasingly weird names, the books aren’t nearly as hard to understand as the titles are to pronounce. Your narrator is one Vlad Taltos, friend to the powerful, former assassin, now on the run from the organized crime of his world, a human in a world of Dragaerans. (Or Easterner in a world of humans — the Dragaerans call themselves human, you see.)

In many ways, the Dragaeran universe is a classic fantasy setup. Dragaerans are tall, imposing, live for a thousand years and more, and practice a complicated kind of sorcery. They’re ruled by an Empress, and have a complicated system of Houses and nobility. Our main characters (Vlad aside) are some of the most powerful figures in the Empire. This is definitely not your standard sword-and-sorcery adventure, though. Vlad is the first big difference: his no-nonsense, sarcastic narration was revolutionary when Jhereg came out in 1983 and is still one of the best and most entertaining parts of the series. (And when Vlad isn’t sarcastic enough for you, there’s his telepathic flying lizard Loiosh. If you like fantasy novels, you’re probably already on board with this. If you don’t know if you like fantasy novels, trust me, you’ll love Loiosh.)

The series is planned to include one book for each of the seventeen Dragaeran Houses, plus two additional, including one that has already been published. In publication order, then, these are: Jhereg, Yendi, Teckla, Taltos (not a House), Phoenix, Athyra, Orca, Dragon, Issola, Dzur, Jhegaala, and Iorich. Each House has a particular defining characteristic, and this characteristic becomes the main theme for the book: Orca are merchants and businessmen, so the theme of Orca is economics; Dragons are generals, so Dragon is about a war. And so on. (Forthcoming: Tiassa, Lyorn, Hawk, Tsalmoth, Vallista, Chreotha, and a final book which may or may not be called The Last Contract. Fans spend a great deal of time trying to figure out just what the characteristics of these Houses are and thus what the plots of these books may entail.) There’s a depth of understanding in these books that also sets them apart from cookie-cutter fantasy, as Vlad comes to more fully understand the world he lives in and works to change himself. The character development can be subtle, since publication order is not the same as in-universe chronological order, but it’s immensely satisfying.

Finally: Iorich. Iorich stands for law and justice, and the House of Iorich serve as Justicers (judges) and advocates. In this book, one of Vlad’s old friends is arrested for the practice of Elder Sorcery, and he takes it upon himself to start up the legal proceedings. He hires Perisil, a tedious but extremely efficient Iorich, to deal with the official matters while Vlad talks to pretty much everyone he knows trying to understand why Aliera was arrested for something everyone knew she’d been doing for years. In between the arguments, secret meetings, and assassination attempts, the theme of the book is really justice — whether it’s possible to get any, and what it would mean if you did. Like all the hard questions, this one has no easy answers.

I loved Iorich, but I’m not positive it’d be the best place to start if you’re just getting into the series. If you’re into this kind of modern-language high-concept fantasy, it certainly wouldn’t be a bad place to start, either — particularly if you’re aware that at least half of the “but that’s another story” references are still obscure even if you’ve read all the other books in the series. This is a big universe, and Brust certainly hasn’t told all the stories in it yet. For a gentler introduction, I’d suggest Jhereg, Taltos, or Dragon (although if you’re a fan of noir mysteries, Jhegaala has a lot of in-jokes for you). Once you’ve gotten through all those, and if you take to it anything like I do, that will only be a week or so, Brust’s other Dragaera books are Brokedown Palace, an Easterner story in the mode of a Hungarian fairy tale, and the Paarfi series, starting with The Phoenix Guards, which is a high-fantasy pastiche of The Three Musketeers.

See also:
The Lyorn Records, a fan-run wiki attempting to organize all the Dragaera information we have. Contains book summaries with spoilers.
The Dream Cafe, Steven Brust’s website, and Words, Words, Words, his blog.
Dragaera on, a collection of reviews of the books by Jo Walton. May contain spoilers. (These reviews are much, much better than mine. If you’re interested, check them out — the first post contains no spoilers at all.) Continues to Fail

The other day I posted about Amazon’s snit-fit, pulling all Macmillan titles from their store during an argument over ebook pricing. I also posted that Amazon had capitulated, agreeing that they would have to go along with Macmillan’s pricing plans.

I think it’s also worth pointing out that, as of this writing, Amazon still hasn’t returned Macmillan titles to its store. You the consumer still can’t buy the books from them. The authors whose books have been pulled are losing sales figures, which is going to impact both their royalties and their contracts for new books.

I agree with John Scalzi on this: while I can understand if not condone pulling titles as a negotiation tactic, keeping them pulled at this point is just petty, and is (or at least should) do Amazon more damage than good in the long run. And if you have a favorite author published by a Macmillan press, consider buying one of their books from somewhere else to help them out. Fails as a Reference Source

Anybody try to buy books from this weekend? Odds are you had a problem, because in the midst of a scuffle over price points and definitions of publishing, Amazon pulled all Macmillan titles from their site. The books were still available, but only from third-party sellers (meaning your Amazon Prime subscription does nothing for you). Macmillan publishes books under the St. Martin’s Press and Tor imprints, among many others, and is one of the six largest publishers in the US — so basically, Amazon pulled a sixth of their stock. Smart.

And this morning, they caved. Amazon is willing to allow Macmillan their tiered price scale for ebooks, although they object to what they call Macmillan’s “monopoly over their own titles” (Source: NY Times). Setting aside the arguments over how ebooks should be marketed (and whether offering a unique product means you have a monopoly), I wonder what this means for libraries.

It’d be nice to think this had nothing to do with libraries at all, but I’m afraid that’s just not the case. I know I’ve used Amazon any number of times to double-check publication data when a patron couldn’t remember the correct spelling of a name or title. It’s one of the built-in searches in Firefox and Internet Explorer, and some libraries have used Amazon affiliate accounts for a little extra revenue or as a wishlist for books they couldn’t fit into their budgets. (Heck, Koha offers built-in support for Amazon connections.) The perception seems to be that Amazon is making money off this, so it’s in their best interests to be as complete and up-to-date as possible, right?

This is not the first time Amazon has pulled a stunt like this one, although this might have been the biggest. Last year, authors and publishers noticed that LGBT titles weren’t showing up on sales rank pages. Turns out that they had intentionally removed “adult” books from both the main search and the Amazon Sales Rank pages, which carry a remarkable amount of promotional weight. The inclusion of non-explicit LGBT, health reference and sexuality titles in this “adult” category was termed a ‘ham-fisted cataloging error’ and quietly changed. Whether or not Amazon intentionally de-listed these titles, making them difficult to find unless you knew exactly what title you were searching for, the result was that Amazon’s search was definitely not a good way to double-check information for those titles.

What this incident really brings home is that while Amazon sometimes functions as a reference source, particularly because of its ubiquity and ease of use, that’s not what it’s there for. Amazon as a company sometimes — possibly frequently — makes decisions that librarians would not approve of, and if we use Amazon as a kind of substitute Books in Print, we risk running afoul of these corporate decisions. Yes, I know we allknow we shouldn’t use Amazon this way, but how many of us do? I’ve been trying to retrain myself  to link to books on WorldCat or at least LibraryThing or GoodReads before Amazon, but after this, I will be making a much more concerted effort.

%d bloggers like this: