Blog Archives
A Book of Tongues, The Broken Kingdoms, Atlantic, Misery
Gemma Files, A Book of Tongues
I grabbed this book after just glancing through it at the public library’s new book shelf, and now I’m buying a copy and preordering the sequel. This is awesome, guys. Supernatural Old West, magic-wielding Confederate ex-Reverends, and a heavy dose of Mayan mythology to top it off. Also, gay characters who are a) main characters, b) not demonized (for being gay, anyway), and c) likely to survive to the end of the series and possibly even get a happy ending. Obviously it’s a trilogy and that last one is far from certain, but I’m thrilled at just the possibility right now.
N.K. Jemisin, The Broken Kingdoms
The sequel to the excellent Hundred Thousand Kingdoms of last year, and you know, I think I liked this one even better. It seems to hang together better; the book feels a little more solid. I’d have to reread the first one to explain exactly why. (Oh the horror! *dramatic hand to forehead*) It seems, interestingly enough, that the main recurring characters in this series are the gods, not the mortals, but the POV characters in both books so far are the mortal women they deal with. I like that a lot, actually.
Simon Winchester, Atlantic
Finally, I have finished this book! This was another ARC I picked up at ALA in June, and I have been trying to get through it for months. It purports to be a history of the Atlantic ocean, but for large portions of the book it seems much more to be an excuse for the author to show off his superior knowledge of history and his extraordinarily exciting life as an investigative journalist. I was somewhat offended to find that the latter sections, while unbelievably pretentious, were also the most interesting parts of the book. Maybe he should have just written a memoir instead.
Stephen King, Misery
When did Stephen King stop being this good? No, really. I picked this up again after reading Learn Writing With Uncle Jim, where Jim MacDonald recommends it as a novel about how to write a book. And not only does it work on that level – spectacularly well, particularly the scene where Annie makes Paul burn his Serious Manuscript – but it’s also frequently tense, disturbing, and downright scary. I haven’t felt that way about any of the newer Stephen King books at all.
Cordelia’s Honor, League of Extraordinary Gentlemen: The Black Dossier, Young Miles, Miles, Mystery & Mayhem
Lois McMaster Bujold, Cordelia’s Honor
This is actually two books as an omnibus, those being Shards of Honor and Barrayar. (I am reading in chronological order, yes.) Really, though, they don’t seem like separate books at all, and according to the afterward, they almost weren’t. I love Cordelia; she’s a wonderful character, strong in her own right without being military, willing to go to unbelievable lengths for things she really cares about (like the life of her unborn son), and completely divorced from the politics of the society in which she finds herself living. Also, I grew so attached to Kou in his brief appearance in Shards that I absolutely cheered out loud when he showed up again in Barrayar.
League of Extraordinary Gentlemen: The Black Dossier, Alan Moore & Kevin J. O’Neal
Yes, I bought this when it came out and it took me this long to finish it. I got bogged down in the beat poetry section (which was pretty terrible, and I say this as someone who actually enjoyed large portions of On the Road). You know, sometimes Alan Moore is brilliant, and sometimes he’s insane, and I suspect that this book is just exactly the wrong combination of the two. It feels like it’s trying to be much more important than it is. And it’s much less fun than the first two.
Anyway, back to Miles –
Lois McMaster Bujold, Young Miles
Being an omnibus of The Warrior’s Apprentice, the short story “Mountains of Mourning”, and The Vor Game. This is where we’re introduced to the main character of the series, Cordelia and Aral Vorkosigan’s son Miles. (Elli Quinn says to Ethan in a later book, “Look for a big pile of trouble with a squiggly-minded little man on top.” That’s a remarkably good description of Miles.) Warrior’s Apprentice is, of course, named after the story of The Sorcerer’s Apprentice, and it shows. It’s an insane amount of fun, one accident piling on top of another one, until Miles has accidentally acquired a mercenary navy. And then, in Vor, he acquires them all over again. And in the middle, in “Mountains of Mourning,” he’s back at home on his family’s land, working out the small (and yet simultaneously not-so-small) problems of a small hill village. I recommend the omnibus for this order as much as anything; it carries a wonderful impact.
Lois McMaster Bujold, Miles, Mystery & Mayhem
Being a compendium of Cetaganda and Ethan of Athos, and the short story “Labyrinth” (which I’m actually still reading as part of Borders of Infinity, shh). I adored Cetaganda for the old-fashioned sci-fi worldbuilding and the amazing political structure where women seem to have no power and yet also manage to control the empire, and also for Ivan. I’m becoming very fond of poor Ivan Vorpatril, prettier than Miles bot not as brilliant, and he knows it. Ethan is also spectacular for the worldbuilding, and I think the plot is stronger too, and boy is that laying some interesting ground for what’s going to happen in this universe in forty or fifty years. Athos is a planet without women — it’s clearly been founded on misogynistic principles, but it’s hard to call any of the men who live there misogynistic, because they have absolutely no experience with women whatsoever. I found it interesting that while the planet was founded in order to help men escape from the evils of women, in the wider universe it’s known (if it’s known at all) as Planet of the Gay, and Ethan gets beaten up over it.
One of the things I like about the Vorkosigan saga all together is it’s clearly very interested in the power and position of women in a society. There are no women at all on Athos, but there are donated ovarian cultures; on in the Cetagandan empire the highest-class women travel in opaque bubbles so they can never be seen, and are genetically engineered (by their own hands) for supreme beauty. On Barrayar women have very little power, but on Beta Colony they’re quite egalitarian (and Betan Cordelia is astounded when the Barrayan Emperor entrusts her with the education of his grandson and simultaneously tells her she’ll have no power; clearly she cannot believe that educating the future Emperor is a powerless position). Women serve in the Dendarii Mercenaries the same as men do (as well as one hermaphrodite). Miles has a tendency to want to be the Hero, rescuing the Damsel in Distress, but he’s very good at acknowledging when the Damsel no longer needs to be rescued. It’s not something I’m used to in science fiction, and I love it deeply.



